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Classical concerts featuring
Kristina Stanek

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Upcoming Concerts

Concerts featuring Kristina Stanek in season 2024/25 or later

February 25, 2025
Artistic depiction of the event

Eugene Onegin

Tue, Feb 25, 2025, 19:00
Ari Pelto (Musical Director), Christian Günther (Chorus), Katja Pieweck (Larina), Sally Matthews (Tatjana), Kristina Stanek (Olga), Carole Wilson (Filipjewna), Christoph Pohl (Eugen Onegin), Bogdan Volkov (Wladimir Lenski), Alexander Roslavets (Fürst Gremin), Keith Klein (Ein Hauptmann), William Desbiens (Saretzki), Peter Galliard (Triquet), Chorsolist (Vorsänger), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Young Tatyana falls in love with Eugene Onegin, and confesses her love for him, against all convention. When he pretends that marriage is not for him, she weds Prince Gremin in haste. After many years, Tatyana and Onegin meet again, but their belated confession of mutual love cannot bring them back together. Director: Adolf Dresen Set Design: Karl-Ernst Herrmann Costume Design: Margit Bárdy Choreography: Rolf Warter Premiere: 11.02.1979
February 28, 2025
Artistic depiction of the event

Eugene Onegin

Fri, Feb 28, 2025, 19:00
Ari Pelto (Musical Director), Christian Günther (Chorus), Katja Pieweck (Larina), Sally Matthews (Tatjana), Kristina Stanek (Olga), Carole Wilson (Filipjewna), Christoph Pohl (Eugen Onegin), Bogdan Volkov (Wladimir Lenski), Alexander Roslavets (Fürst Gremin), Keith Klein (Ein Hauptmann), William Desbiens (Saretzki), Peter Galliard (Triquet), Chorsolist (Vorsänger), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Young Tatyana falls in love with Eugene Onegin, and confesses her love for him, against all convention. When he pretends that marriage is not for him, she weds Prince Gremin in haste. After many years, Tatyana and Onegin meet again, but their belated confession of mutual love cannot bring them back together. Director: Adolf Dresen Set Design: Karl-Ernst Herrmann Costume Design: Margit Bárdy Choreography: Rolf Warter Premiere: 11.02.1979
March 6, 2025
Artistic depiction of the event

Eugene Onegin

Thu, Mar 6, 2025, 19:00
Ari Pelto (Musical Director), Christian Günther (Chorus), Katja Pieweck (Larina), Sally Matthews (Tatjana), Kristina Stanek (Olga), Carole Wilson (Filipjewna), Christoph Pohl (Eugen Onegin), Bogdan Volkov (Wladimir Lenski), Alexander Roslavets (Fürst Gremin), Keith Klein (Ein Hauptmann), William Desbiens (Saretzki), Peter Galliard (Triquet), Chorsolist (Vorsänger), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Young Tatyana falls in love with Eugene Onegin, and confesses her love for him, against all convention. When he pretends that marriage is not for him, she weds Prince Gremin in haste. After many years, Tatyana and Onegin meet again, but their belated confession of mutual love cannot bring them back together. Director: Adolf Dresen Set Design: Karl-Ernst Herrmann Costume Design: Margit Bárdy Choreography: Rolf Warter Premiere: 11.02.1979
March 9, 2025
Artistic depiction of the event

Eugene Onegin

Sun, Mar 9, 2025, 15:00
Ari Pelto (Musical Director), Christian Günther (Chorus), Katja Pieweck (Larina), Sally Matthews (Tatjana), Kristina Stanek (Olga), Carole Wilson (Filipjewna), Christoph Pohl (Eugen Onegin), Bogdan Volkov (Wladimir Lenski), Alexander Roslavets (Fürst Gremin), Keith Klein (Ein Hauptmann), William Desbiens (Saretzki), Peter Galliard (Triquet), Chorsolist (Vorsänger), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Young Tatyana falls in love with Eugene Onegin, and confesses her love for him, against all convention. When he pretends that marriage is not for him, she weds Prince Gremin in haste. After many years, Tatyana and Onegin meet again, but their belated confession of mutual love cannot bring them back together. Director: Adolf Dresen Set Design: Karl-Ernst Herrmann Costume Design: Margit Bárdy Choreography: Rolf Warter Premiere: 11.02.1979
March 27, 2025
Artistic depiction of the event

Il trovatore

Thu, Mar 27, 2025, 19:30
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
April 1, 2025
Artistic depiction of the event

Il trovatore

Tue, Apr 1, 2025, 19:30
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
April 5, 2025
Artistic depiction of the event

Il trovatore

Sat, Apr 5, 2025, 19:00
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
April 9, 2025
Artistic depiction of the event

Il trovatore

Wed, Apr 9, 2025, 19:00
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther